Hit Factory, hosted by Aaron Casias and Carlee Gomez, provides cultural criticism exploring the intersection of 1990s cinema and post-Cold War political theory. The program focuses on 'The End of History' era through a lens of anti-capitalism and neoliberal critique, moving beyond standard trivia to provide sociological analysis of film language and production. They bridge digital and physical spaces through regular live programming at San Francisco institutions, including a 35mm presentation of Deep Cover at the Alamo Drafthouse and screenings at the Roxie Theater. Recent collaborations include a deep dive into the Wachowskis’ filmography with author Xuanlin Tham and a discussion on internal surveillance mechanics in The Game with film critic Bilge Ebiri. By utilizing a membership model through Patreon to offer premium episodes and patron-voted polls, they maintain an independent production that analyzes how the cultural output of the nineties continues to influence modern technological and social structures.